Description
The History and Literature of the Wind Band and Wind Ensemble, volume 4
One of the most amazing accomplishments of contemporary music publication. — Wolfgang Suppan, Internationale Gesellschaft zur Erforschung und Forderung der Blasmusik, Mitteilungsblatt, Nr. 15, Marz, 1985.
This History and Literature of the Wind Band and Wind Ensemble will remain for a long time the principal source for the ultimate study of the literature of wind instruments. — Giovanni Ligasacchi, “Quattro Secoli di Storia La Letteratura degli Stromenti a Fiato,” Brescia Musica (Italy), Anno V, n. 21, Febbraio, 1990.
The Wind Band and Wind EnsemÂble of the Classical Period is the fourth volÂume in Dr. David Whitwell’s ground breakÂing thirÂteen volÂume HisÂtory and LitÂerÂaÂture of the Wind Band and Wind EnsemÂble series. Whitwell’s meticÂuÂlous scholÂarÂship reveals the conÂtinÂuÂous hisÂtory of the wind ensemÂble, from its earÂliÂest roots to the twentieth cenÂtury — an unbroÂken traÂdiÂtion of wind music that music scholÂars have never been fully able to appreÂciÂate until now. This volÂume includes the story of the transformation of the twelve-member Hautboisten bands into the remarkable Harmoniemusik repertoire of the Classical Period. This is the climax of the history of the small band with the greatest composers, including Mozart, Haydn, Beethoven and Schubert, composing for an ensemble associated with the highest society. At the same time occurs the beginning of the preference for the modern large ensemble, created for an integral role in the political celebrations of the historic French Revolution.
Updated with the inclusion of relevant iconography, this second edition belongs in music libraries and conservatoires around the world.
All earlier efforts stand in the shade of this undertaking … Whitwell’s great undertaking presents not only an abundance of new material, which belongs to the literature of anyone interested in wind music but also creates a new dimension for discussion by musicologists. One can not thank Whitwell enough. — Wolfgang Suppan, Oesterreichische Blasmusik, Nr. 5, 1983.